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#Danzig bootlegs in the 1990s how to#
Why let some big record company tell you how to look, how to sound, or what to do for that matter? They would make it happen on their own terms, all the way down to cutting and gluing the seven inch sleeves together themselves. Everyone in Lodi had heard of the Misfits (if they cared to listen) and how they wrote their own songs, put out their own records and booked their own gigs. These four songs came from a larger session, that was to be their first album, Static Age.Īt this time it was fairly common to see Jerry (now calling himself Jerry Only) around town with his electric blue hair and leather jacket that proudly proclaimed "The Misfits" on the back. Not tame by any means, and not meant to be either. The "Bullet" sheet showed former-president Kennedy's head on a blood splattered background with a bullet hole in it. It was a style the band would proudly perfect, and one that stayed with them throughout all of their recordings.
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"We are 138" was filled with the straight down-strumming guitar technique that was very reminiscent of the Ramones. "Hollywood Babylon" had a rich vocal track and a very catchy melody. "Attitude" was a poppy little tune with colorful usage of many four lettered words. It was originally pressed on black vinyl with a fold out sleeve and a lyric sheet for the title track. The four song seven inch reflected a more aggressive and angry style. The next release was the notorious "Bullet" EP, on their Plan 9 label. In 1978, the "punk rock" influence reared its ugly head with the addition of Frank LiCata (a.k.a Franche Coma) on guitar and Jim Catania (a.k.a. Instead, Glenn played the electric piano through a fuzz box. It was the more agressive track but there was no noisy guitar. Side B had the original recording of "She", and was about Patty Hearst. With the release of this record only the interesting lyrical content and strong vocals hinted at the style that wold emerge with the passage of time and the band's subsequent releases. Side A was called "Cough/Cool" and it had a jazzy sort of feeling to it. Their first release on their own label, Blank Records, didn't reflect the characteristic anger and rebellion of most "punk" records, but instead a more brooding and romantic side lingering beneath. The founding members were: Glenn Danzig on vocals and electric piano, Jerry Caiafa on bass, and Manny on drums.
#Danzig bootlegs in the 1990s movie#
Formed in 1977 toward the end of the "punk" era, they took the band name from Marilyn Monroe's last film and in fact, thanked the cast of the movie on the back of their first record. The Misfits were a "punk rock" band from Lodi, New Jersey. On the tail end of things, Samhain's final album included two songs that would eventually be re-recorded for Danzig's debut album ("Twist of Cain" and "Possession").The Misfits - (Absolutely sick) Discography Samhain even recorded a handful of Misfits songs ("Horror Business", "All Hell Breaks Loose", "Halloween II", "Death Comes Ripping", "London Dungeon"). The punk sound mixed with horror themes was carried over by Glenn, as well as the devilock and love for gore (of course). The career Samhain had is quite unique, since they got started as one thing and ended as another. Samhain would also eventually evolve into heavy metal/blues band Danzig, who are still active today. Samhain got started just as Glenn Danzig's old band, The Misfits ended (side note, regardless of what became of them and such, Danzig-era Misfits are one of the greatest bands ever). Not only does the name embody the holiday, but the music is the perfect soundtrack for it (except perhaps for John Carpenter). Regardless, it's believed that Halloween had its origins in Samhain, so that's the connection. Samhain (pronounced sah-WIN) was a Celtic holiday celebrating the end of the harvest and a festival for the dead of some sort, but that's about all I know about it. Well, it's almost Halloween, so I figured I'd add a band who are literally named after the holiday.